Post 6: LECTURE BAROQUE THEATRE – MODERN OPERA

This week’s lecture was like going on a time-travel trip through theatre history. We started with Baroque architecture—super fancy buildings with big domes and dramatic designs. The Catholic Church used this style to impress people and draw them back during the Protestant Reformation. St. Peter’s Basilica in Rome is one of the best examples of this, and its dome even inspired the U.S. Capitol Building!

Then we moved into Baroque theatre. The Cesky Krumlov Theatre (built in 1682) was mind-blowing for its time. It had hidden trap doors, special effects, and a super detailed stage setup. It even had elevators for props and actors—kind of like early stage magic.

Opera also became huge. Back then, there were no microphones, so singers trained for years to project their voices across big theatres. Baroque opera was all about showing off, with crazy costumes, huge sets, and dramatic music. And yes, it was over the top, but that was the point—people wanted a show.

Later, artists like Cathy Barberian and John Cage changed the game by making weird, cool sounds and challenging what “music” really is. Cage even said silence doesn’t exist, which was wild. All of this helped music and opera evolve into what we now know as musicals and modern opera.

The lecture made me realize how creative people were back then—and how much their inventions still influence theatre and music today.

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